And here we are, launched back into two and a half hours of sheer brilliance, with all of the magic, wit and fun which made the original trilogy what it was. How I’ve missed the magic of this galaxy, far, far away. The Force Awakens is a sequel worth waiting 30 years for (and it is, make no mistake, the best Star Wars movie since at least 1983), with a stellar cast (Ridley and Driver shine, but every new and old face alike command the screen and so obviously want to be there, and that brings the whole thing to life) incredible direction and smart writing and stunning aliens, visuals, and great characters- all of which are so fresh and unique with the perfect blend of old and new it injects life into this universe sometimes just by aesthetic, with Chewie, Han and C390 still bringing the laugh, while new additions like BB-8 cement themselves as worthy, the quirky droid destined to be a fan favourite and loved as only two droids ever have been. But for everything that didn’t quite sit right- of which there aren’t many- there were a plethora of other things which Abrams and his crew perfectly hit the target with. All due respect and admiration to George Lucas for creating the Star Wars universe, but JJ Abrams truly seems to understand what made the originals so damn good better than Lucas himself- intrigue.

In short, The Force Awakens is an enormous triumph, a return to the ways of the original trilogy, and, specifically, what made them so loved, and so good.

All “This will begin to make things right.” So speaks Max Von Sydow in the first words of The Force Awakens and how appropriate that is. “This will begin to make things right.” So speaks Max Von Sydow in the first words of The Force Awakens and how appropriate that is.

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